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For the purposes of the new edition, every poem has been assigned a unique short title. The original short titles, taken eclectically from a number of sources, are retained as alternative short titles.
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For epigraphs and layout information click on the appropriate manuscript location.
For information on Latin and vernacular sources of miracle stories follow the links to Miracles and collections. Follow the links to the appropriate pages of Todd McComb and Pierre Roberge's online discography, to the BITAGAP archive, and to linked entries in the Bibliography.
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CSM Number : 90
Short name: Cantiga de loor Alternative: Sola fusti, senlleira
Incipit: Sola fusti, senlleira
Refrain: Sola fusti, senlleira/ Virgen, sen conpanneira.
Summary of narrative
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Setting: Protagonist(s):

Metrical data
Stanza: 6' 6' 6' 6' 6' 6' Refrain: 6' 6'
No. of Stanzas: 5
Rhyme scheme: AA | ababab Zejel: Yes
MS locations:
T90, E90
Poncelet reference
None
Keywords
No associated keywords
Discography
Click HERE for a list of recordings of this poem
BITAGAP ID
3807
Bibliography
Poética y realidad en el cancionero peninsular de la Edad Media
Asensio, Eugenio
Retratos de Alfonso X en sus manuscritos
Domínguez Rodríguez, Ana
Alfonso X, el Sabio: Cantigas de ’loor’ de Santa Maria. Edición crítica e introduccíon
Fernández Pousa, Ramón, ed.
Afinidades musicais: as cantigas de loor e a lírica profana galego-portuguesa
Ferreira, Manuel Pedro
Parodia e contrafactum: en torno das cantigas de Afonso X, o Sábio
Ferreira, Manuel Pedro
De amor y de burlas. Antología de la poesía medieval gallego-portugués
Fidalgo, Elvira
Los alejandrinos de Alfonso X
Hanssen, Friedrich
Seeing is Believing: The Miniatures in the Cantigas de Santa Maria and Medieval Devotional Practices
Kennedy, Kirstin
Singers of the Virgin in Thirteenth-Century Spain
Marchand, James, & Spurgeon Baldwin
A estructura métrica de algunas das Cantigas de Santa Maria
Montero Santalha, José-Martinho
The Serpent and the Rose: The Immaculate Conception and Hispanic Poetry in the Late Medieval Period
Twomey, Lesley K.