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For the purposes of the new edition, every poem has been assigned a unique short title. The original short titles, taken eclectically from a number of sources, are retained as alternative short titles.
For new critical texts of the poems, return to the listing page and click on the poem number, or go to the archive of texts .
For epigraphs and layout information click on the appropriate manuscript location.
For information on Latin and vernacular sources of miracle stories follow the links to Miracles and collections.
Follow the links to the appropriate pages of Todd McComb and Pierre Roberge's online discography, to the BITAGAP archive, and to linked entries in the Bibliography.
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CSM Number : 291 | |||
Short name: | The Rapist who was Released from Prison | Alternative: | Rapist is released from prison |
Incipit: | Cantand’ e en muitas guisas | ||
Refrain: | Cantand’ e en muitas guisas/ dev’ om a Virgen loar/ ca u ouver maior coita/ valer-ll-á se a chamar. | ||
Summary of narrative | |||
Setting: | Salamanca and Toro | Protagonist(s): | a rapist |
A student, studying in Salamanca, raped a woman and fled the city. He went to Toro, hoping to evade arrest. Nevertheless, he was captured and cast into prison. In prison, he contemplated his sins and turned for solace to the Virgin. He asked her to come to his aid. Then he composed a song in her honour and began to sing it. While he was singing, the Virgin appeared to him. She took him by the arm and led him out of the city. She advised him to serve her and promised him that if he did, he would be rewarded. He praised the Virgin and always served her well. |
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Metrical data | |||
Stanza: | 15 15 15 15 | Refrain: | 15 15 |
No. of Stanzas: | 11 | ||
Rhyme scheme: | AA | bbba | Zejel: | Yes |
MS locations: | |||
F47, E291 | |||
Poncelet reference | |||
None | |||
Keywords | |||
apparition, imprisonment, magistrate, rape, song, student | |||
Discography | |||
Click HERE for a list of recordings of this poem | |||
BITAGAP ID | |||
4042 | |||
Bibliography | |||
Un cantar que cantassen os jograres (CSM 172, 33): Las formas de la ’performance’ en las Cantigas de Santa Maria Disalvo, Santiago and Germán Rossi | |||
Aberturas e finais: rubricas, refrães, estrofes iniciais e estrofes terminais nas Cantigas de Santa Maria Parkinson, Stephen |