| Commentary: |
Snow 2007
"The majority of the poetic forms of the CSM are laude and virelais and the music is mensural, often employing mixed modes. Ribera's transcriptions are found to be faulty and Adler gives five examples of his own for CSM 124, 189, 10, 32, and 100 (in this order; unnumbered in text). The information provided is of a summary nature and there is no accompanying analysis." |
