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For the purposes of the new edition, every poem has been assigned a unique short title. The original short titles, taken eclectically from a number of sources, are retained as alternative short titles.
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Follow the links to the appropriate pages of Todd McComb and Pierre Roberge's online discography, to the BITAGAP archive, and to linked entries in the Bibliography.
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CSM Number : 292 | ||||
Short name: | Master Jorge and the King’s Ring | |||
Incipit: | Muito demostra a Virgen | |||
Refrain: | Muito demostra a Virgen/ a Sennor esperital/ sa lealdad’ a aquele/ que acha sempre leal. | |||
Summary of narrative | ||||
Setting: | Seville | Protagonist(s): | Master Jorge | |
King don Fernando loved the Virgin Mary and she gave him success in every endeavour. Whenever he conquered a city from the Moors, he placed a statue of the Virgin in the portico of the mosque. King Fernando won the city of Seville from Mohammed. When King Fernando died, his son, King Alfonso X, had a costly tomb constructed for him. It showed him holding the sword with which he had struck Mohammed a fatal blow. Alfonso X had his mother’s body brought to Seville from Burgos and also placed in a fine monument. Both tombs were adorned with sculptures of the monarchs. The bodies of the King and Queen were found intact; God would not allow them to decompose. King Alfonso X had a gold ring placed on the finger of the statue of King don Fernando. One night, King don Fernando appeared in a vision to Master Jorge, the man who had made the ring. He told him that he wanted him to give it to the Virgin. He also asked him to place his effigy in a kneeling position. Master Jorge went to the church and summoned the treasurer who opened the golden doors. The treasurer noticed that the ring was missing from the finger of King don Fernando’s statue. Master Jorge told him about his dream. The treasurer, [having recovered the ring], gave it to Master Jorge. They both reported the miracle to the king and the archbishop, and praised King don Fernando. |
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Metrical data | ||||
Stanza: | 15 15 15 15 | Refrain: | 15 15 | |
No. of Stanzas: | 21 | |||
Rhyme scheme: | AA | bbba | Zejel: | Yes | |
MS locations: | ||||
F10, E292 | ||||
Poncelet reference | ||||
None | ||||
Keywords | ||||
apparition, archbishop, bishop, burial, conquest, convent, craftsman, dream, effigy, gold, goldsmith, heaven, image (of Virgin Mary), images (other), king, Muhammad, mosque, Muslims/Moors, ring, river, Saint Denis, Saint Mark, Saint Matthew, soul, tomb, treasurer, vision, warfare, crystal, finger | ||||
Discography | ||||
Click HERE for a list of recordings of this poem | ||||
BITAGAP ID | ||||
4043 | ||||
Bibliography | ||||
O códice florentino de Cantigas de Affonso, o Sábio Aita, Nella | ||||
La notación mensural de la música monódica de la corte española del siglo XIII ofrece soluciones nuevas, hasta hoy totalmente desconocidas, para la interpretación estético-rítmica de las melodías de los trovadores Anglés, Higinio | ||||
Cantigas del Rey Sabio Anon | ||||
As festas do tempo nos cancioneiros galego-portugueses, lección inaugural do Curso Académico do ano 1978 Filgueira Valverde, José | ||||
The thaumaturgy of regal piety: Alfonso X and the Cantigas de Santa Maria Lappin, Anthony | ||||
La literatura caballeresca en la obra de Alfonso X Montoya Martínez, Jesús | ||||
Annales eclesiásticos y seculares de la muy noble y muy leal ciudad de Sevilla Ortiz de Zúñiga, Diego | ||||
Alfonso X, el Sabio. Biografía Pérez Algar, Félix | ||||
Alfonso X of Castile: Patron of Literature and Learning Procter, Evelyn S. | ||||
Tres ensayos sobre el arte en las Cantigas de Santa Maria de Alfonso el Sabio Sánchez Cantón, Francisco Javier |